I often find New Years Eve to be a bit of a let down. None of my friends are doing the same thing, even the pubs have a cover charge and the taxi queues go on forever.
Not this year! I decided that I would prefer to work this year and it was a very smart move indeed!
First show:
Chaz Royal & Lady Luck New Years Eve Ball
I was booked for the early show and so I found myself on the train up to London fairly early. Classy as ever, doing my make-up in the carriage and painting my nails. Running a little late, I spotted a couple looking like they'd fit right in at a retro night so I asked the girl if she was performing and it turned out she was going to be one of the maids for the night!
It's a shame I can't remember their names as they were very sweet and walked with me most of the way before ducking off to get something to eat before the show.
When I arrived the dressing room was slowly warming up with activity. Hair curlers heating, costumes hung on rails, suitcases forming traffic islands in the middle of the room.
Could I have kicked myself though! I brought my camera but left my memory card at home.
Hmmm. So I missed an opportunity to get a picture of VJ
Spankie in her hilarious
Aussie outfit. Amongst the glitter and glamour, V.J. was proudly wearing her thongs (flip-flops), cork hat and shorts holding
Toadie the toad. God bless her. I was gutted I couldn't see her act but the audience were loving it.
Violet Crumble was also present, who I haven't seen since Glitter Room I think. Along with Dolly Rose and lots of new faces.
Beeby Rose, the beauty from Amsterdam was headlining and as she was on last in each act I just managed to catch her acts. Just beautiful. I also managed to catch some of
Lambchop Magoo's act to a tune from Sesame Street. Bizarre, funny and cute, I loved it.
So the best bit of all of it was that before the show was due to start I got a text from a friend and talented photographer Samara
Deen. Some of her photo's are in my photo gallery. Anyway, it seemed Miss Samara was without plans for the evening! She and her boyfriend arrived in time to see me perform and became my unofficial roadies for the night. So all of a sudden I was having a little party!
The act went very well by the way. This was the La belle Femme en Rouge that I mentioned in my post on
Burlesk. The one that needed changing. It went so very well that Samara said she almost cried. Well crying is not my aim but as long as I'm having an effect hey!
And all this despite a near disaster roughly 10 minutes before I was due to go on. Every time I perform I check every piece of costume before I pack it in my bag, to ensure there is no damage that needs repairing. Somehow the clasp that holds a string of beads onto my g-string had come completely free of the knickers in between checking it at home and pulling the costume out of my bag at the gig! Being a clever clogs I had a roll of red thread and a needle, and after a minor moment of panic, I got to work sewing the costume together, threw on the rest of my outfit and just made it in time to hear my intro. Phew!
Perhaps the fear of god is what made the act work so spectacularly then. A bit of panic never did anyone harm before a show.
Second show: Nymphs & Satyrs Masked Ball
Brought to you by the same fabulous crew that run Die
Freche Muse, I came home again to the beautiful, secret Dalston location that hosts the right sort of parties for Bright Young Things of the 21st century. With everyone in masks I was terribly confused though. I didn't realise that I knew the man on the door until he started speaking!
I deposited Samara and partner in the main hall to enjoy themselves while I checked out the new dressing room which had been moved to the room off the landing where I met Dolly Blowup who had been
maiding at the previous gig, getting ready for her act. And yes, it goes off with a bang!
Millicent
Binks was about too but flitted off shortly after her performance, but not before we'd had a brief chat. Gosh that girl is naughty but she does put a smile on my face every time we speak. They are not my tales to tell though so don't even ask!
The performance went just as well the second time and I got some really lovely pictures. Nick
von Fiction took a load with beautiful vivid colours and none other than Johnny Crabb the pianist from Twin & Tonic caught the picture above. It really gives off the essence of the performance.
So, the rest of the night. There was a huge roaring fire on one side of the room and on the other was a table laid in what I imagined a tribute to those
demi-gods. The countdown was almost an aside to the rest of the night. But it was wonderful to be with such a good friend.
I kept meaning to leave but I kept, well, not. After dancing and drinking, Samara and her boyfriend left at the civilised hour of about 2:30-3 and Dolly and I kept finding song after song kept us on the dance floor. After a sudden realisation that we were ravenously hungry, The Baron treated us to a peach and blueberry pudding of some kind (I can't remember) and cups of tea 'backstage'. Even though I'm sure it physically pained him to serve anything so boringly non-alcoholic. Which was very gallant don't you agree?
After a turn around the dance floor with The Baron (the man has far too much energy, it's just not right!), I finally took my things and headed for the station. Just too exhausted to stay for the after party! Trundling in at some time after 8am I realised...that may have been the most successfully fun New Years Eve in about 4 years!
Happy New Year all. I look forward to being a distraction for many more to come.
x Bella
de Jac